Archive for June, 2008

Absolut In an Absolut World Clip

Monday, June 30th, 2008

Aufgabe: Konzeption und Erstellung eines loopbaren Videos, das sowohl den Charakter und das Image der Marke uebermittelt, als auch mit unterhaltendem Wert zum Ambiente des Clubs beiträgt.

Ziel: “Modern, stylisch, zur Marke passend.“

Umsetzung: Wir haben uns fuer eine neue Technologie und eine neue Ästhetik entschieden und sind so mit einem Zusammenspiel aus After Effects und 4V an unser Ziel gekommen.

Watch the Clip

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Volkswagen 2028

Thursday, June 26th, 2008

Concept- (Anke) and Flash- (Benjamin) contributions for VW’s Futuresite at argonauten G2.

www.volkswagen2028.com

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USoD Typeface: “Hand”

Thursday, June 26th, 2008

This is more than just a handwritten Font. It is the very first from the United States of Design Typefoundry.

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EAT Workspace Flyer

Thursday, June 26th, 2008

Flyer for the EAT Workspace opening party. Thanks to Corinna and Philipp for being such great models. Picture and Typo (USoD_Konstrukt Bold) by United States of Design.

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04.07.2008 / Workspace Opening

Thursday, June 26th, 2008
July 4, 2008toJuly 5, 2008

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CHANEL NAIL SHADES

Thursday, June 26th, 2008

Design concepts and ideas for a collection of new nail shades for CHANEL.chanel_shade.jpgchanel_boutique.jpgchanel_popart.jpgchanel_gallery.jpgchanel_comic.jpgchanel_comic3.jpg

24h berlin

Friday, June 20th, 2008

Goldener Westen ist Kreativ-Partner bei 24h Berlin. Wir sind verantwortlich für das Design der 24hberlin - Website und dem Design des Pressematerials der 1. Pressekonferenz.24hberlin_goldenerwesten01.png24hberlin_goldenerwesten002.png24hberlin_goldenerwesten07.png24hberlin_goldenerwesten09.png 

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Tuesday, June 17th, 2008

A Tribute to Bruce Naumann
Mapping the Studio I (Fat Chance John Cage) (2001)

Over the course of the summer of 2000 he set up an infrared camera in multiple positions in his studio to track the nocturnal activities of mice, moths, and other sundry creatures. Edited down into some six hours per projector, the footage in the resulting installation offers a wryly elliptical take on the mundanities of daily studio activity, as replete with languor as with moments of visionary insight.